I found this memoir by a feminist filmmaker absolutely riveting. Gaylene is just nineteen months older than me, and I could relate to so much of her childhood and teenage years. We listened to the same radios programmes and both had Yul Brynner as a favourite film star. She describes Christchurch in the 1960s as being a city of bicycles that all had bells. The bicycles are still here, but sadly not all now have bells, and those that do sometimes fail to use them.
Gaylene’s description of having an abortion in Sydney is starkly poignant, yet it was a privileged option in the late 1960s. The story of the graduate dining room at Gonville and Gaius (pronounced Keys) college in Cambridge held special interest for me because I’ve visited that college where a relative did his PhD. I loved the fact that Gaylene called her first husband her first husband right from the beginning, thinking it would keep him on his toes (but it didn’t). I’m tempted to start calling Stephen my first husband but it seems a bit pointless after more than 50 years.
In 1971 Gaylene joined a Consciousness Raising circle in Cambridge which developed into a feminist activist group. My Auckland introduction to C.R. was later, but also important to my self-development. Of course I loved her mention that rhyming couplets can be superlative and wished I could locate Eric’s doggerel The Pensioner’s Cat which Gaylene captured on video. She also talks about Wellington Trades Council’s women’s choir which became Choir Choir Pants on Fire. I have their c.d. with wonderful socialist songs, including Bread and Roses.
One section tells about the making of Hope and Wire, the series based on the aftermath of the Christchurch earthquakes, which I have never watched. It’s a creative drama, an amalgamation of stories, but to me it could never be as real as Gerard Smyth’s When a City Falls. There are details of all Gaylene’s productions, many of which I’ve seen and enjoyed. I particularly remember taking my mother to see War Stories Our Mothers Never Told Us. I’m ashamed to say I’ve not yet seen My Life With Helen, which tells of Helen Clark’s unsuccessful bid to become Secretary-General of the United Nations. It’s now definitely on my must-see list.
The whole book clearly explains Gaylene’s development as a filmmaker and her reasons for making films, and does this in an entertaining way. We are extremely lucky to have her telling our stories in Aotearoa.
This is a book not to be missed
you need to read it, I insist
I ran into Gaylene Preston in a secondhand book shop about 18 months ago. She told me she’d become unsteady and unwell after a fall (me thinking, probably concussion, as I did the same early December. Fatigue, unsteadiness, difficulty concentrating). She’s always been a hero of mine, especially her film about Sonja Davies ( Bread and Roses)
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She’s had a head injury, which she writes about in the Epilogue to her book.
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Sonja sat on her shoulder, and they were both sorry to shoot in the Wairarapa instead of upcountry Nelson, where my mum comes from. The act of sitting on the railway line to stop the line closure was very radical- and Gaylene has captured those moments for us. I’ll order a copy through the Wellington library and send you the video of Helen Clark.
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The video of Helen Clark would be great – thank you.
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Sent yesterday by NZ Post. Enjoy!
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That’s wonderful – thank you!
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Pretty sure I have seen that movie My Life with Helen. I went thinking it would be a bio of Helen not just about her unsuccessful bid to become Secretary General at UN From memory it is long and repetitive. I slept through most of it. maybe you will be better at staying awake.
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I think it may be more about how hard it is for women to succeed, and I will enjoy the feminist aspect.
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actually that movie is called My Year with Helen.
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The film by Gaylene Preston, was following a year in Helen Clark’s life, in 2016. Helen had spent 8 years at the UN, as the third most senior person, and most senior woman. The position for Secretary General became vacant. In the 70 years of the UN, no woman has held the position.
When Helen Clark agreed to let Gaylene Preston document her life, in this year, this set of circumstances was unknown. So, as it turns out, the doco shows how difficult it is for women to penetrate top positions in international agencies like the UN.
An American professor of International Women’s Equity leads a campaign concurrently to elect a woman as the UN General Secretary. We see the struggle unfold, and the lack of transparency in the process, and lack of democracy in it.
If this feminist lens is applied to the doco, it is a timely and worthwhile viewing.
Who were the countries on the Security Council of the UN, not wanting a radical change? What reasons did they have?
When you view this against COVID-19 and the war between the Ukraine and Russia, hindsight gives us insight into what led to the struggle, and why a passive, “nice guy” was being sought. The gap between what was needed, and what was achieved is fascinating as it unfolds. It’s political power in action- and a great story.
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[…] was keen to see this film after reading the autobiography of filmmaker Gaylene Preston, but I must admit I found it depressing. It covers the year in 2016 when Helen Clark made a bid to […]
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